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The Churchs
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Church of S. Stefano - Capri
It was rebuilt at the end of the XVIIth century on the remains
of a church that bore the same name.
The original design by the Neapolitan architect F.A. Picchiatti
- three naves with a cupola at the intersection of the wings with
small cupolas atop the side naves - was reinterpreted and completed
by the masterful Marziale Desiderio of Amalfi, who used a free-spirited
baroque style, especially in the roofing, where the traditional
beaten lapillus technique was used.
Points of interest inside include the main altar, with the multi-colored
floor made from marble in-lays rebuilt with fragments from the
Villa Jovis: in the Chapel of the Rosary, a wood painting from
the late XVIth century depicts the Madonna and child together
with Saints Michael and Anthony of Padua.
According to local legend, this picture, after having been thrown
by pirates from the top of a cliff, was miraculously found back
in its proper place.
The marble flooring is said to come from the imperial villa of
Tragara, of which almost nothing is left; the rest of the marble
pieces were taken from the Villa Jovis. |
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Church of S. Anna - Capri
The basilica-like structure dates back to the beginning of the
XIIIth century, while the facade is from the 1600's. The small
interior consists of three short naves crossed by arches with
raised curves that rest on fragments of Roman columns removed
from the ruins of buildings on the island. The byzantine-style
apses contain the remains of XIVth and XVth century frescoes. |
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Church of S. Costanzo - Capri
The church was built between the Xth and XIth centuries on the
foundation of an older basilica.
Despite a series of expansions and restorations over the centuries,
the original floor-plan, featuring a Greek cross inside a rectangle
with 12 columns, has been preserved.
The original columns, some of which were made of ancient yellow
and "cipollino" marble, were taken from the nearby imperial villa,
the Palace by the Sea; in 1775, four columns were moved to the
chapel at the royal palace in Caserta and replaced with granite
columns.
The original entryway was on the left side, as demonstrated by
the position of the apses and the belltower. In the XIVth century,
Count Arcucci added a vestibule on the north side and had a new
facade put up with a tufa portal, shifting the entryway to a small
front churchyard, which was later cut off by the roadway for cars.
The church holds the remains of St. Costanzo, Patriarch of Constantinople,
who became the patron saint of Capri for the miracles he performed
in protecting the population during the many raids suffered by
the island at the hands of the Sarecen pirates.
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Church of S. Sofia - Anacapri
Built in the middle ages it was subjected to lengthy reconstruction
beginning in the early 1500's. Judging from the varied appearance
of the whole as well as the lack of symmetry among the three cupolas
there would seem to have been no overall bleu-print. Worthy of
note on a minor altar inside the church is a wooden sculpture
from the XVth-century Neapolitan school that depicts the Virgin
with the dead Christ. |
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Church of S. Michele Arcangelo (or of the earthly Paradise)-Anacapri
The church designed around a central lay-out with a cupola and
a surrounding octagonal floor-plan that fans out into six radial
niches with apses preserves baroque altars in painted wood and
a choir also in wood over the vestibule at the entrance.
Built in 1719 the church was probably designed by Domenico Antonio
Vaccaro and was part of a convent later demolished. Inside is
an extraordinary tiled pavement created in 1761 in Naples by l
Leonardo Chiaiese a tilemaker from the Abruzzo region. Designed
by Francesco Solimena it depicted the biblical episode of Adam
and Eve being banished from the Earthly Paradise. |
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Church of S. Antonio - Anacapri
Sitting by the last step of the Phoenician stairway, directly
over the sea, the little church of Sant'Antonio is tucked into
the rock. A low parapet curves around the edge of the diminutive
building's front churchyard, providing an extensive, spectacular
view.
...A word about the chapel of St. Anthony of Padua, which can
be seen, as by the flying bird or from the bottom of the sea,
by those who look out of their windows while driving down the
automobile road from Anacapri, at the point where that same road
cuts by the hard, interminable Greco-Roman stairway...
...Here, for many centuries, wayfarers climbing up to Anacapri
would pause to rest, having first placed on the ground the baskets
and jars they had been carrying on their heads.
R. PANE, 1965
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Hermitage and Chapel of S. Maria in Cetrella - Anacapri
The small convent was built at the end of the XIVth century by
Dominican friars and consists of a small church with adjoining
cottages, small monastic cells and panoramic terraces. The late-Gothic
motifs are especially noticeable in the extrados roofing made
from beaten lapillus that forms an extraordinary set of shapes
for an excellent contrast with the rocks in the background.
Uninhabited for quite some time, it is opened up on occasion by
volunteers from Anacapri. |
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Church of S. Maria of Costantinople - Anacapri
Anacapri's oldest parish, the church was built in the XVlllth
century, atop an older church possibly dating from the XIVth century.
The structure consists of a single nave that sits below two ogival
crossings and holds a small pulpit. The facade, topped off by
tile churchbell, stands at the far end of a garden once used as
a cemetery. |
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